fr.chemi3t
11-28-2012, 07:49 PM
اگه حوصله ندارین متن رو بخونید، به هر تصویر نگاه کنید ببینید میتونید حدس بزنید کدوم شخصیت مشهوره؟ زیر هر عکس اسمش نوشته شده !!! به نظر من فوق العادست...
http://pnu-club.com/imported/mising.jpg
[b]
Albert Einstein
[/i]
Commissioned by The Economist for a cover story about 100 years of Einstein. Though the illustration was never printed, Bar considers this a perfect example of combining two icons, which results in something that is 'almost like a logo.' Einstein's famously unkempt hair and the atomic symbol, with the molecules as eyes, for this famous face.
http://pnu-club.com/imported/mising.jpg
[b]
William Shakespeare
[/i]
The first face Bar ever published, a full page for Time Out London related to a feature article about a BBC program called 'The Search for Shakespeare.'
['The Search for Shakespeare'] revolved around new biographical discoveries and all the questions these raised. I received this commission about 5 hours before a flight to Italy . All of a sudden the question mark idea linked the theme of the program to one of the most significant philosophical questions of all time: To be or not to be? I chose ‘to be’ and sent the final portrait off about two hours after receiving the assignment.” ~ Noma Bar
http://pnu-club.com/imported/mising.jpg
[b]Harry Potter[/i]
We've all been exposed to the Harry Potter hype. The success of this image is how it speaks directly to the fictional Harry Potter story, as well as the reality of this multi-million dollar industry. The centerpiece of the illustration is the wand, which evokes fanciful magic, as well as the almighty dollar.
HOLLYWOOD HEADS
http://pnu-club.com/imported/mising.jpg
[b]Woody Allen[/i]
This illustration was done for an article about Woody Allen's Film Match Point, which was shot in London . Bar's use of London architectural landmarks for the legend's already iconic face is a unique and effective touch. Nicknamed the gherkin, for its resemblance to a pickle, this noticeable Norman Foster building replaces Allen's nose, the Tate Modern forms an eyebrow over one of the skyline's newest structural icons, the London Eye.
http://pnu-club.com/imported/mising.jpg
[b]Bill Murray[/i]
As Bar started work on Bill Murray, he was pleased to discover that in profile, Murray 's face created a ghoulish figure in the negative space. The Ghostbusters icon for an eye is a rather obvious, but effective choice.
http://pnu-club.com/imported/mising.jpg
[b]
Albert Einstein
[/i]
Commissioned by The Economist for a cover story about 100 years of Einstein. Though the illustration was never printed, Bar considers this a perfect example of combining two icons, which results in something that is 'almost like a logo.' Einstein's famously unkempt hair and the atomic symbol, with the molecules as eyes, for this famous face.
http://pnu-club.com/imported/mising.jpg
[b]
William Shakespeare
[/i]
The first face Bar ever published, a full page for Time Out London related to a feature article about a BBC program called 'The Search for Shakespeare.'
['The Search for Shakespeare'] revolved around new biographical discoveries and all the questions these raised. I received this commission about 5 hours before a flight to Italy . All of a sudden the question mark idea linked the theme of the program to one of the most significant philosophical questions of all time: To be or not to be? I chose ‘to be’ and sent the final portrait off about two hours after receiving the assignment.” ~ Noma Bar
http://pnu-club.com/imported/mising.jpg
[b]Harry Potter[/i]
We've all been exposed to the Harry Potter hype. The success of this image is how it speaks directly to the fictional Harry Potter story, as well as the reality of this multi-million dollar industry. The centerpiece of the illustration is the wand, which evokes fanciful magic, as well as the almighty dollar.
HOLLYWOOD HEADS
http://pnu-club.com/imported/mising.jpg
[b]Woody Allen[/i]
This illustration was done for an article about Woody Allen's Film Match Point, which was shot in London . Bar's use of London architectural landmarks for the legend's already iconic face is a unique and effective touch. Nicknamed the gherkin, for its resemblance to a pickle, this noticeable Norman Foster building replaces Allen's nose, the Tate Modern forms an eyebrow over one of the skyline's newest structural icons, the London Eye.
http://pnu-club.com/imported/mising.jpg
[b]Bill Murray[/i]
As Bar started work on Bill Murray, he was pleased to discover that in profile, Murray 's face created a ghoulish figure in the negative space. The Ghostbusters icon for an eye is a rather obvious, but effective choice.